TFTP Variety: "Jack Benny's Bag" from NBC (Nov. 16, 1968)

Posted to YouTube by user 'balsamwoods'
Length - 1:01:39

Jack Benny's long-running weekly sitcom (a continuation of his long-running radio program) ended in 1965, and for the remainder of his career until his death in 1974 Benny did occasional TV specials. The above program is one of the early such specials, with a theme lampooning youth counterculture of the late-1960s, entitled "Jack Benny's Bag".

Like a lot of old-line comedians, Benny was pretty clueless when it came to the counterculture he was lampooning. In most cases of mainstream TV treatment of counterculture, including here, some garish colors, some psychedelic imagery, some youth-oriented clothing, and some tossed-off slang was thought to do the job.

In "Jack Benny's Bag", though, the counterculture elements are mainly window-dressing. Benny himself wears either a tuxedo or a regular suit throughout most of the special, and there is little of substance regarding the counterculture. (The one sketch that does treat it is a groan-worthy parody of the film "The Graduate" where Benny-as-Benjamin-Braddock enters through an arch that is a large mock-up of Mrs. Robinson's famous leg.) A pair of hippies appears near the beginning to collect payment for painting Benny's house (he assumed given their values that they'd do for free); Benny's Maxwell car, in which he makes his first appearance, has been painted in psychedelic designs, as has the stage backdrop; and that's about it.

Guests abound, including Dick Clark, Lou Rawls, Phyllis Diller (who portrays Mrs. Robinson in the "Graduate" sketch), Dan Rowan and Dick Martin, Eddie Fisher, and Benny's own former supporting player Eddie "Rochester" Anderson. (Rochester appears with Walter Matthau and Jack Lemmon as their "Odd Couple" characters in the special's cold opening.) Sponsored by Texaco, the special includes a few filmed commercials for that product, and a group of young girls in Texaco "Fire Chief" costumes appear with Benny in a couple of segments.

Christmas at TFTP (On This Day Edition): "The Bob Hope Special" from NBC (Dec. 19, 1968)

Posted to YouTube by user '20th Century Vision'
Length - 1:01:08

It Was 49 Years Ago Today: Bob Hope did dozens of specials on NBC over the course of several decades between the 1950s and the 1980s. This is one that is not so much a Christmas special as one that happened to air during the Christmas season--forty-nine years ago today on December 19, 1968.

Unlike many of Hope's specials over the years, this special consists of one long sketch, a parody of the secret agent show "Mission: Impossible". The Hope version is called "Mission: Ridiculous", and he plays a secret agent fighting an outfit called "B.R.O.A.D.S." made up of all women. (The initials were a take-off of the tendency of these spy shows to fight an enemy with similar names.) The women (played by Janet Leigh, Carol Lawrence, and Nancy Ames) have kidnapped Santa Claus for offenses (not made entirely clear) against women. Hope goes through several vignettes--including visiting the North Pole where Leigh poses as Mrs. Claus, flying on a Cuban airline with a Fidel Castro lookalike, and appearing in a Hong Kong nightclub where all of the characters are horrible Asian stereotypes (and Hope's accent is completely offensive).

A couple of musical performances are worked into this hackneyed story: one number sung by Ames in character as a spy posing as a flight attendant on the Cuban airline, and another by Glen Campbell, who is Hope's cellmate in a Cuban jail. Jerry Colonna pops up as a judge in the Cuban jail scene, while Santa--imprisoned at B.R.O.A.D.S headquarters--turns out to be Wally Cox.

The topical jokes in Hope's opening monologue seem like they would have been groaners to contemporary audiences in 1968, and they are completely impenetrable and unfunny now. Bob Hope was never on the cutting edge of comedy, not even in his 1940s heyday as a movie star, and the shoddy quality of this program shows just how sloppy he was as a comedic craftsman despite the fact he was beloved by mainstream audiences. This special is a shining example of how NBC by this point would put on the air literally anything that Hope put together.