TFTP's Monochrome Monday: "The Arthur Murray Show" from DuMont (Oct. 22, 1950)

Posted to Internet Archive by user 'zigoto'
Length - 29:26

TFTP's Monochrome Monday brings you a classic black & white TV program or clip every Monday morning to kick off the week....

Although not widely remembered today, Arthur Murray was a huge cultural presence from the 1930s through the 1950s due to his franchised chain of dance studios and then his television programs. By the end of the 1930s, Arthur Murray Studios had begun to establish a presence in most major American cities, and it's safe to say that by the time his TV program started in 1950, around the time of the above episode, that "Arthur Murray" had become synonymous with dance instruction in the U.S.

Murray's TV show aired for a decade between 1950 and 1960, at different times on all four networks and at different lengths ranging from 15 minutes to 60 minutes. For almost all of its run the show was called "The Arthur Murray Party", except for the year-and-a-half that it was on the DuMont network, when it was simply called "The Arthur Murray Show".

In the clip above, which is the second half of an hour-long episode from October of 1950, from during the show's DuMont run, we see host Kathryn Murray, Arthur Murray's wife and business partner, vivaciously usher guests and dancing couples in and out of the spotlight. (Curiously, Arthur Murray himself does not appear in this half-episode; it's not clear whether or not he appeared regularly.) Actors Reginald Gardiner and Beatrice Lillie guest star on this episode and both appear in comedy bits (Lillie alongside a very young Carl Reiner).

The entire program comes off more or less like an infomercial for Arthur Murray Dance Studios, as the chain of studios and the lessons available therein is mentioned several times throughout. This includes one segment with a dancing couple who had had just two Arthur Murray Studio dance lessons!

TFTP Will Be Back After These Messages: TVs from the Past -- Early Television Set commercials (1950/1954)

Posted to YouTube by user 'MattTheSaiyan'

In watching old TV commercials, it's always interesting to see what the sellers of products thought buyers were interested in, interests that then became the selling points in the ads themselves. Based on these two commercials for television sets, one from 1950 and the other from 1954, potential TV set buyers were really worried about how well a TV set could show close-ups.

The first ad, for a 1950 Westinghouse TV, has something called an "electronic magnifier" that you could somehow overlay on the screen to take a TV image and magnify it. The fact that they don't actually show this feature in operation and that the images they show of wrestlers are clearly not authentic images off of a TV screen should have made potential buyers of this set a little wary. The peculiar shape of the screen on this set is a good example of just how different early TV sets were from the ones that viewers became used to just a few years later.

The second TV set ad is from 1954, and by this time apparently there were already some people who were ready to replace their first TV set with an upgraded model. So the RCA television set being advertised is shown to have a much better ability to show close-ups than earlier TVs with smaller screens. A 21" inch set was a large screen in those days, and you can see why compared to the older 10" set! The price comparison between the 1950 set and the 1954 set in these ads is interesting, too, and shows the way in which technology improves and becomes cheaper at the same time; the 1950 Westinghouse model has a retail price of $259.95, while the much bigger and better 1954 RCA set is only $199.95.

TFTP Comedy: "The Buster Keaton Show" (1950)

Posted to Internet Archive by user 'Emperor'

Buster Keaton was, of course, one of the greatest silent film comedians, rivaled by only Charlie Chaplin in popularity and artistry. Lesser known is Keaton's television career, which started soon after the launch of commercial TV and included many TV commercials and a few different regular series. This program, "The Buster Keaton Show", was the first of his forays into weekly TV, and it ran for awhile in 1950 on Los Angeles' KTTV (at a time when the national networks were not yet completely built out, especially to the west coast, and when local stations, especially in large cities like L.A., produced much of their own prime-time programming). It was a short-running series, and this is reputed to be the only episode that survived.

Typical Keaton slapstick is featured here, although of course not up to the quality of his classic silent films. The storyline (such as it is) involves Buster training in a gym for an insurance physical, a premise that is really just an excuse for him to get himself into instances of physical comedy related to exercise (e.g., a rowing machine, boxing ring, exercise clubs, stretching, etc.). Although perhaps of a somewhat different quality considering that it involves Buster Keaton, this episode is not a bad example of the kind of sketch comedy that would be prevalent throughout the 1950s.

TFTP Game Shows: "What's My Line?" debut episode (Feb. 2, 1950)

As TFTP's inaugural post, here is the debut episode of the venerable and legendary CBS panel game show "What's My Line?" Airing on Sunday, February 2, 1950, this was the first of what would be 17 years of live episodes that anchored the last half-hour of CBS's Sunday-night prime-time schedule through all of the 1950s and most of the 1960s ("WML" would go on to air for another 8 years, until 1975, in syndication).

"What's My Line?", for those unfamiliar with it, was one of the earliest "panel" game shows, a sub genre that dominated TV game shows through the 1950s and much of the 1960s. Four celebrity panelists asked yes or no questions designed to give them clues for guessing a contestant's occupation (or "line"). The final contestant was the "mystery guest", a celebrity that the panelists would likely recognize on sight thus requiring them to wear blindfolds (and the mystery guests to use often humorous fake voices).

We see in this episode host John Charles Daly (who would host for "WML"'s entire 17-year run) and longtime panelist Dorothy Kilgallen (who stopped appearing only upon her death in 1965). Yet to appear at this point were the other longtime panelists Bennett Cerf and Arlene Francis, although both would soon join Daly and Kilgallen in guessing the lines of hundreds of contestants for the better part of two decades.