TFTP Signs-Off for the Week: Sign-Offs Through the Years - 1982 (KCET/Los Angeles)

Posted to YouTube by user 'MicroJow'
Length - 2:22

Each Friday afternoon, TFTP signs-off for the week with a classic station sign-off sequence for your enjoyment and to bid farewell until Monday...

And throughout 2018, we are featuring "Sign-Offs Through the Years", as we go year-by-year with each successive week.

This 1982 sign-off from Los Angeles public TV station KCET has just two main parts: a minute-long promo for the Great Performances presentation of "Charterhouse of Parma", and a ownership/technical voiceover that is over a panoramic view of LA. (For reasons unknown, in the later part of the voiceover the camera pans and zooms in on the panorama.)

There's no national anthem film in this sign-off, as usual for most public television sign-offs that have been featured on TFTP (such as here, here, and here). The reasons for this, as for that mysterious zoom in this KCET sign-off, are unclear.

TFTP On This Day: "Great Performances" (public TV) from WNET/New York (Nov. 28, 1986)

Posted to YouTube by user 'pannoni 9'
Length - 9:37

It Was 31 Years Ago Today: "Great Performances" is one of public television's most venerable programs (and there are a lot to choose from), having been on the air on PBS since 1972. Here is a set of clips from a "Great Performances" presentation of Gian Carlo Menotti's opera "Goya" from this day in 1986.

In addition to some mid-1980s "Great Performances" bumpers and logo graphics, we get to see a slew of underwriting announcements from the same era. An introductory segment from the Kennedy Center in Washington, D.C., is hosted by actor Jose Ferrer, and an extended interpretive segment about Goya's artwork is presented by the director of the National Gallery of Art. Some program promos for WNET (the PBS member station for New York City) include "The Creative Edge", "Adam Smith's Money World", and "The Making of a Continent". "Goya" star Placido Domingo presents an offer for viewers to order the theatrical program for the opera. Finally, the "Goya" end credits are capped off by the opera's curtain call (and a couple of final underwriting credits).